El Petróleo al por mayor de China que no Pinta Mínimo
Date 1912(1912)
Medium Oil on canvas
Dimensions Deutsch: 70 x 80 cm
cjr
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high quality:16x20 (40x51cm)
= $65
high quality:20x24 (51x61cm)
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high quality:24x36 (61x91cm)
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high quality:30x40 (76x102cm)
= $139
high quality:36x48 (91x122cm)
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high quality:48x72 (122x182cm)
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museum quality:16x20
(40x51cm) = $69
museum quality:20x24
(51x61cm) = $89
museum quality:24x36
(61x91cm) = $139
museum quality:30x40
(76x102cm) = $149
museum quality:36x48
(91x122cm) = $219
museum quality:48x72(122x182cm)=$399
oil on canvas
Dimensions 269 X 370 cm
cyf
Antonio Parreiras
(1860 - 1937) was a Brazilian painter. Although much of his work was made up of historical and nude paintings, he expressed himself best in his landscapes, which combined European influences with those of his native Brazil.
In 1883, Parreiras met German painter George Grimm, who taught landscape, flora and wildlife painting, while studying at Brazil's Fine Arts Imperial Academy. Grimm influenced Parreiras to move away from academic traditions of painting in favor of the direct observation of nature, free brushstrokes and luminosity.
Parreiras traveled throughout Europe for a number of years, visiting many countries including Germany, Italy, and France, exhibiting his first female nude at the Salon in Paris in 1907. He continued to visit Europe after permanently returning to Brazil in 1914, and in 1929 received a gold medal in the Exposition International in Seville.
Parreiras also founded the Plein Air School in Niterei, Brazil, and a museum holding many of his works, the Museum Antônio Parreiras, is also in Niterei.
Agony oil on canvas
Dimensions 269 X 370 cm
cyf
Related Paintings to Antonio Parreiras :. | View of a Field | Sparklets | Palace lady | Self-Portrait | The Raising of the Cross |
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China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas